Big Move....

I am excited to report that I have moved my blog to a more "inclusive" location. "Inclusive" because it does not require a degree in computer science or a commitment to spending hours on the internet every day. Here is what you do:
You go to http://blog.tashadepp.com/
Then, you notice that at the very right hand bottom of the page, there is a "FOLLOW" button. (If you are already a Wordpress user, you will find the "FOLLOW" button on top bar where it always is...)
Click on it and type in your email address in the pop-up window.
Yo u are done except for one simple remaining thing: you will receive an email from "Wordpress" and you must simply confirm that you want to follow my blog.

I really appreciate your patience with following these hopefully simple steps. You will not be required to "Join" anything" or sign up with any service. You will receive my blogposts in your email and to comment on the blog, all you have to do is click on "comment".

Please let me know if any of this is confusing or doesn't work for you.

Keep in mind that I had to engage my senior technical advisor of a son to forge this new path and make sure that all the previous posts came with me to the new location, not to mention, that the new posts will still appear as the front page of my website....he was very generous and kind to help me.

Lastly, I am already much happier with this new blog situation as I see mention of posts by other people that tie in with my post subjects. I feel as though I was blogging away in a dark closet by myself with literally only 2 people who could forge through the barriers to post comments now and then, and now I am out in the light of day and there is a potential sea of people who may share insight into the things I am concerned with in my posts....

Join me at http://blog.tashadepp.com/ to see what happens!

John Singer Sargent and I

applying a coat of zinc white (mostly avoid the lead these days) atop two thin layers of animal skin glue

 A woman contacted me to ask about having her portrait painted in a Victorian dress that she had a black and white photocopy of. She wanted the dress to be blue. She mentioned having photos of herself that I could work from. I asked to see the visual material. She sent me photos off of an i-phone. The photos of her were small, but clear. She had a beautiful smile....the image of the dress was a different story. It was a rather  worn photocopy and difficult to see any detail on the dress. It appeared to  be a painting of a woman in a Victorian dress.

I began to worry about how I would come up with a believable Victorian dress, and I decided to look in the local community college library, which happens to have a good art book section. "John Singer Sargent" popped into my head and I thought to myself that he had created portraits of women in dresses around that time period...so I pulled a book of his paintings off of the shelf and checked it out. I was looking at it for the third time about a week later, beginning to feel panicky about how to design a light blue Victorian gown, when all of a sudden, I turned the page in the book past a dress that almost looked right, and spotted a painting that pictured the identical image from the black and white photocopy. Except, most puzzlingly, it was cropped slightly different...the painting in the book had more space above the figure's head....I wondered wether the b/w photocopy was a copy of a copy....but anyway, I had found the dress! I looked it up on-line and printed out a beautiful 8"x 10" photo of the painting. Not only did this give me brush stroke information about how to create the dress, but it presented a pretty believable warm-hued background.

Blocking in background and foreground areas

 The painting looked like the client from the moment I started sketching her in.

Committing to the background

The completed portrait

At the client's request, we replaced a "clutch" for what seemed to be a bud vase in the figure's front hand. It was really fun paying such detailed homage to the Sargent painting...I found myself quite interested in the white shape slightly behind the figure...is it a pillow case cast to the floor? Why did Sargent think that this disordered element was a good idea? Or perhaps more significantly, why did he want such a noticeable white shape in that spot?Maybe to simply direct the viewer's eye along the top diagonal so as to take the viewer's gaze under the sofa and behind the figure? Maybe this is what gives the painting it's lively sense of depth?

This woman's family were all involved in obtaining updates on the portrait and then making sure it was beautifully framed for her for mother's day. I wasn't sure whether to tell her husband when I met him to hand off the portrait, how small my expectations for my own mother's day were. Not much fanfare at my house. "If I was lucky," I finally told him, "my youngest son would bring me coffee in bed. That was about it." We both chuckled.

As it turned out, I was wrong. My youngest son coerced his older brother to help bake me a cake. So I had a mother's day cake! (but no coffee in bed)

Living With the Far Right

I asked my son to take this photo out the car window thinking that it exemplified the down side of living in the rural area where we live. The car was wallpapered with pro-life Christian bumper stickers. And as if to further demonstrate the singleminded determination of the owner of the vehicle, the car looked as though the driver might frequently literally push other viewpoints right off the road. 

Once I was past the ripe age of about 12, I stopped wanting to wear my beliefs on my sleeve. I have stuck a few bumper stickers on the backs of cars I drove over the years, but they mostly asked more questions than they answered. I have found that most issues that people argue about cannot be fairly represented by anything that fits on a bumper sticker. Also, I have always been one to understand that the other person may come from a different belief system, so a simplified sentiment on a bumper sticker doesn't allow for their entire orientation.  

It is a real challenge for me to think about the owner of this vehicle with sympathy and compassion. They just seem ridiculous, like a cartoon character. On the other hand, I am regularly exposed through my teaching job at the community college to students and others with similar Christian viewpoints who I do have respect for. They feel that life begins at conception, and that it is therefore wrong to end the life of an unborn baby.  I can allow that they have a point if you believe that life begins at conception. If you don't believe that, you could feel differently. As long as anti-abortionists are actively assisting young poor mothers with childcare, financial assistance and emotional support, I can't argue with their beliefs. If they are simply ramming other viewpoints off the road, well, that is another story.

A picture says more than a thousand words?

A total of 13 portraits were completed.

This gentleman regards his portrait for the first time.

The artist "lets go" of one of the portraits (painted on a motorcycle helmet visor) to it's recipient.

A young subject has grown a year older since her photo!

Portrait smortrait?

Another Day, Another Portrait Or Over-riding Disney

Once again, soooo exciting starting this one, with the lavender baby magically arising
 out of the disney-esque fairy landscape....

I went at it some more after this session.....will post finished one soon.

 And then there is the one I finished last week...probably the most difficult one of all.  Look at the expression on that little schoolgirl face. She is trying to care about having her picture taken and maybe aware that past years have not yielded proper results. This year, once again, she is full of ambition to arrange her face in an acceptable way, but it just isn't working out once again. My rendition of her expression communicates her trepidation, but with less of the resigned gentle anguish. It was really hard to capture that resigned gentle anguish. Maybe I'll snatch more minutes before Friday when I hope to hang all these portraits to see if I can just soften some edges and get her a little less definite in her expression....Maybe if I could articulate in words what it is that her face is expressing....

Opening Strategies vs. Endgame

   Coming down the homestretch with only (counting slowly in my mind....) 6 or 7? "free" portraits to complete in the next 2 weeks, (YIKES!) I am taking a minute to post photos from the portrait I started 2 weeks ago. This portrait was "commissioned" on a wonderful chunk of wood with a history, and I had been given a fabulous digital photo of the gentleman in question to work from. I was looking forward to starting!
    As always, the beginning of a painting is the most exciting part to me. I would go so far as to say that the trajectory of my painting career has been the slow teaching of myself how to sustain the excitement and attention to detail and signals throughout the entire painting, all the way to the bitter end. I have of late been thinking of the end of the painting as the endgame, just like in chess. I am not much of a chess player, but I can assure you, as in painting, my opening game is much more accomplished than my endgame, when my brain hurts and there are too many details to follow up on and several pieces are already in jeopardy; it just makes me want to go eat a sandwich and read a book.
    As I was saying, there is almost nothing as exciting as starting a new painting. It bursts with possibility and decisions and openings...it is akin to kissing a new boyfriend when you are 18. So I decided to stop every 3 minutes or so during the first 20 minutes of beginning this one. I even forced myself to stop and snap a photo during one of the scary moments when the painting had quickly taken a wrong turn, because those moments where one is walking dangerously close to the precipice are what creates the challenge and excitiement....

The first step was to choose which side of the panel to paint on. The panel had the donor's name and contact info taped onto the side with more unstripped paint on it. I wondered if this indicated that it should be the "back". I removed the paper and studied both sides; one side was mostly weathered wood, the other had a compelling sort of strip of white paint running up  the right side and some un-removed green globs along the bottom. I opted for the painted side.

Burnt sienna is a traditional underpainting color, and so I sketched out the "map" for the portrait...being especially careful to keep things smaller and contained within the planned painted area, rather than erring on the side of extending outwards, as part of the challenge with painting on found materials is to allow their interesting surfaces to be an unmarred aspect of the final piece.....

Here, I have started in with some  white mixed with the burnt sienna for lighter facial areas ,and then some other variations of white for the interesting green and pinkish t-shirt shadow colors. At this point, I didn't realize it, but the left ear is too low, the left shoulder should come higher, but the general placement is good. Also at this point, the likeness feels really easy and accurate. I am so busy attenuating to every interesting shadow shape and the incredible variety of color, that the likeness is simply a by-product of all the wonderful shapes and colors.

I only realize now that it was at this point that the resemblance started to go. I was still busy laying down base colors and it all seemed to be falling into place.....

I think it was here that I had to force myself to pick up the camera, because all of a sudden, the man materializing on the wood was starting to look like a different one than the one I was painting. Probably, now that I have hindsight at my disposal, the harsh light and dark contrasts were starting to change his facial characteristics in the wrong direction....

So, I slowed down and paid attention to exactly how long his smile extended to the right past the edge of his nose,  and I filled in the right lit up edge of his face, and added a lot of intermediate tones to bridge the high contrast areas that were bothering me. Relief flooded through me as he slowly started to look more like the gentleman in the photo again.

Obviously, I have continued on from this point, but it was the initial battle that I wanted to portray...I am planning a post about the "endgame, not of this painting, but of a commissioned portrait that I have just finished. As it is on canvas and involves the whole interface of a subject on a painted background, it has provided a real arena in which to flex my endgame muscles. I will post about it on mother's day,. as that is the day that the lady will receive the portrait and she doesn't want to see it until then.

SAT—A Sporting Event

try to keep your muscles relaxed while filling circles....

Un-schooling—that crazy thing in which kids learn at their own pace.

Sometimes the pace is that of a turtle, and other times, that of a moon rocket. It varies kid to kid, and can have a lot to do with their age and what it is that they may be wanting or not wanting to do. While my oldest son bowed to his mother's wishes and convention twice, by taking a "placement test" at the local community college to ascertain whether he was educated enough to fit into the community college classroom at age 16, the only test he would take after that was his driving test, and that was a fairly traumatic event also. He absolutely and categorically refused to submit to any form of college placement testing, even though it did become clear to him at age 17 that he was going to apply to college animation programs. It turned out that the two most competitive ones in the US did not require placement tests and he actually managed to get in off the waiting list to one of them where he is currently doing very well.

Son no. 2 has a very different approach. After spending his childhood playing and just like his older brother, not learning to read until he was 11 or 12, he is currently "training" for the SAT. He takes sample tests daily, timing himself and studying where his deficiencies in test taking lie. He knows a lot more about the SAT test strategy than I ever did when I took it as a matter of course many years ago. For example, he knows that once you get up into the high score area, getting one more answer correct gains the test taker a leap in points, whereas answering another question correctly further down the score ladder doesn't make so much difference. This means that if you only got 4 answers wrong, your score may be well under 700, but if you get just one of those correct, you may break 700 with a margin to spare.

So what is my point? It is not to extoll the virtues of son no. 2. He is certainly not doing this because he is a good boy and knows that I want him to do this. No, not at all. He is a full fledged teen ager who does exactly what he wants to do when he wants to do it.  He is doing it because he  intends to apply to competitive colleges that require such. He is not even sure he wants to attend such colleges; it will depend on how involved he is with his own entrepreneurial projects and what the colleges offer him in terms of education and cost.  He is building his test taking muscles because he thinks it is interesting and he sees the competitive aspect of it for sure.  It is a game, and he is studying the rules and strategies as he does when he plays Risk.

There are certainly some twists here...a friend of my son's who probably has had a more sophisticated math education and is continuing to actually "learn" advanced math rather than "train" for the SATs. He may not score as high in math simply because he has actually moved on beyond SAT math! What is actually getting tested here I wonder?

Perhaps this is the heart of the matter: "unschooling," wherein children are allowed to play games to their heart's content, may actually be just the very best training ground for a game like the SAT.

The Unfolding Painting

motorcyclist on helmet visor (in process)

I continue to paint portraits on cast off objects (see prior posts). My current portrait reminds me at every step of the way why I paint, and why I am an artist. For this portrait. a helmet visor was submitted and then a snapshot of the submitter's husband on a motorcycle....I immediately asked if a "better" photo of the man was not available. I had in mind a photo of his face, as this was supposed to be a portrait of him that I was painting. His wife paid lip service to possibly being able to supply something else, but then could not come through as she explained to me that "He doesn't photograph very well" and "he really liked this photo of himself on the motorcycle". I resigned myself to dealing with the photo.

Lo and behold, as soon as I positioned my first brush stroke on the visor, I began experiencing a natural unfolding of "something meant to be". One of those paintings where there is no false move, every thing just falls into place. This is not to say that I didn't overshoot here or there and need to scrape away an errant bit of paint here and there, as one of the beautiful aspects of painting on found objects is the balance of painting versus unadulterated found object. In other words, there is not "painting over" an errant brushstroke as there would be on a traditional painting on canvas....I must remove errant brush strokes so as to allow the object underneath to show unimpaired. I'm always hoping that the final effect is somewhat akin to ink contour drawings by Matisse...no "mistakes".

So this "natural unfolding" resulted through accepting someone else's concept for the painting. It is expanding my sense of what this project is: the initial idea of this project was to encourage local residents in my area to identify "cast off objects" as potential painting surfaces, but now I see that the project is also about allowing me to let go of control and experience some accidental juxtapositions....this is so central to the experience of painting anyway; to be both directive in the sense of applying the paint to the surface, but simultaneously as receptive as possible to the painting as it unfolds. The painter must perform like a bus driver...steering the huge bus, but stopping for traffic lights, and delicately maneuvering around careless pedestrians, and other swerving vehicles.

Epiphany

Epiphany

Epiphany

I am older now. I have started recognizing an increased vulnerability to exhaustion after for example scavenging for fire wood in our barn demolition rubble...the repeated bending and pulling, staggering alone under the weight of heavy water sodden boards some of which are coated in questionable muck....It makes an old person tired.

So I was quite surprised to find in Susun Weed's New Menopausal Years the Wise Woman Way, the advice to "not get enough sleep" when depression hovers. Weed states that sleeping too much can feed a depressive tendency, and that it can be quite a help to actually get too little sleep upon occasion. After I read that, I felt licensed to give it a try.

One of the constant facts in my life is that there are too few hours in the day. Ever since I can remember, the day ended too soon. When I was twelve, I had more planned to do each day than could possibly happen and I anxiously waited for the school day to end so I could get down to my to-do list of art projects, letter-writing, reading, and just thinking; and that has continued to be my modus operandi.

So last night, first, I worked on some story board drawings with my twenty year old son in Florida. He periodically engages my somewhat remedial help. (I am happy to report actually that in the end, my 3 hours of drawing were not good enough as his own story-boarding has obviously improved as that is what he is in school learning to do!) Then, my sixteen year old son wanted some small vector drawings for a web-site he was building, so I again cosied up to the computer now with my thirteen year old son who turns out to be a precocious student of the Adobe Illustrator program. Together we worked for about two more hours making a net, a spinning coin, and auction tickets. It was suddenly 3:20 AM. Yes,  3:20 AM. I was now tired. I went to bed as quickly as I could, but not before remembering that we had to order cello strings. (see what I mean? the day is never long enough...) which of course we did right then at 3:25 AM.

I woke at 8AM to give my twenty year old in Florida a wake-up call that I had promised. And then, I saw that it wasn't raining and my curiosity about whether the sap had frozen last night got strong enough along with my recollection that one sap bucket had been over flowing the evening before...and I got up.

It is now 10 PM or so. I am tired, but at no time today did I feel overwhelmed with exhaustion. Just a little worn feeling around my eyes I would say. That's all. I rebuilt the maple fire and tended it for 2 hours, gathered more wood in the demolition heap, taught 2 classes in a row, drove about 40 miles, was kind and loving to my family, and now am almost ready for bed. Though, as there are never enough hours in the day, it is occurring to my 13 year old and I that we might want to work on one of the Illustrator drawings from last night just a little bit more.

Portrait Update

The foil wrapped box has held up to the paint...I was worried about this one!

This placemat surface is actually a wonderfully coarse version of canvas!

Still might smooth out the young man's face a bit further, but it looks so much like him that I''m almost satisfied...

I have 4 more portraits to start and complete by April 20th, which is when I will hold a "Givening" at the local Community Center to both display and give the portraits away to their owners. I must create an announcement for this, and make sure I get it to all the participants. I hope some of them are forewarned by reading about it here!

As the Sap Drips...

huge chucks of ice days after removal

 My industrious friend down the road has already made gallons and gallons of syrup...he taps close to 100 trees I think. He has shallow evaporating pans, and a very focused operation, but no "collection tubes" aside from himself! He usually is just about done making syrup by the time you hear about the Agroforestry syrup-making workshops and info sessions in March.

lifting out the ice from storage buckets

At our place, we are only tapping 8 trees, a couple of them with two taps each. We usually manage to make just enough syrup to last our family for the year, more or less. Like my friend down the road, I prefer to begin early, as then the chances of removing large chunks of ice from the collection buckets greatly increase. In March, one is battling warmer weather when the sap can easily spoil and often doesn't run if the temperature stays above 32 at night....So here are some pictures of the sort of ice that can be removed after cold nights. These chucks of ice are entirely water as long as you let them drip for a minute before entirely removing. Then, what is left in the bucket is much more concentrated sap. . In other words, what is left in the bucket has already had maybe an hour's worth of boiling time removed. Rumour has it that this is how the native Americans collected sap. My friend down the road claims that he has come close to producing actual syrup this way, by repeatedly removing the ice day after day when the weather cooperates. I am currently waiting eagerly for the  freezing temperatures predicted for this weekend as it will enable me to reduce my collected amount and shorten fire time. I am so minimally equipped, that two days of energetic dripping will max out our storage space. This means that on a day like today, I had better get out there and start the fire as  the temperature dropped below 32 last night, but only long enough to ensure that the trees will be dripping again today and there is no ice to speak of on the collected sap to remove, and all the buckets are full.

preventative measures...don't let that water freeze up in the gutters....

 Meanwhile, sap collection and reduction is not the only labour going on around here. The snow on the roof had to be removed, and dogsleds had to be fashioned. My younger kids retrieved old skis from the attic and built two bobsleds for Lucy the dog to pull. Always eager to please, the dog gave it her full effort.....

sled fashioned from old skis

Iditerod, Here we come!

Erratic Consistancy

our kitchen table is our chalkboard

Succumbing to the occasional loss of confidence in "un-schooling" is par for the course. I have been somewhat consistently, in an erratic sort of way, trying to get my two younger children to do a bit of math every day. In part, it is the fact that they must take standardized tests every Spring in New York State. (Either that or present a portfolio of work and a report signed by an official teacher or something like that) I hate to think that they might miss getting a math problem right simply because they have never heard the word "dividend" for example. So we sit down at our slate kitchen table and pull out the Saxon math book. I crack it open to our marked place (which doesn't necessarily change very often) and we each choose a color of chalk. Next, I present them with a concept or remind them of whatever we were struggling with last time. Recently, we were trying to grasp the concept of rates, as in ratios. Math is not my strongest suite, so part of our routine is to close the door to the office where my husband is working. If he overhears us, he often feels compelled to come sweeping in with "clearer" methods of explaining. The problem with that is that as soon as the two children are presented with the spectacle of two adults trying to get them to understand something, they sort of shut down and get tense and apprehensive about why this subject is suddenly so important.

So, the door shut, I do my best to explain rates. My daughter tries to follow along. My son is less trusting. His face looks almost resentful. Perhaps he is afraid of not understanding this? He has seemed deeply mathematical to me over the years, including figures and speeds and sizes in stories since he was tiny, He can quickly grasp math concepts and also will labor for a long time on calculations in his head and come up with the right answer. Yet, he insists that he hates math. Is it that he hates math if it has to be written down and read? Does it relate to his vision issue? We struggle on with rates, working out how to write the two rates implied by the statement: Marco Polo bought 40 skins for 8 liras. (Skins? liras?) I wonder about why the rates can be written with either number on top or bottom, but I try to keep this worry to myself. The one problem wears out all of our stamina, and we agree to desist. We all wander off to other things.

Later that afternoon, my son is engrossed at the computer working with a music editing program called Garage Band. I am working on planting seedlings in the next room. He calls out, "Mom, if  there are  60 seconds in a minute, how many seconds would there be in 5 minutes?" And before I can answer, he replies to himself out loud, "Oh, there would be ...120...240, 300, right?" I assure him he is right. And I go back to planting thinking that maybe the un-schooling thing is more reliable after all.

Following the ball

It's not about the paraphanalia...a ball and some worn out shoes...

Soccer has a hold on our family...my husband being English hasn't helped.

It has been interesting to see that the game has taken my second son to a different place than where it took his older brother. Whereas the myopic older brother tended to only focus on whatever was directly in front of him to the exclusion of the periphery, his younger brother tends to care a lot about the larger environment. So where the older brother pursued soccer to the highest league levels that  his family's stamina and finances could sustain, his younger brother has always had a more political/social approach. He has finally found a team that is less about affording middle class kids a sports opportunity but just as much about playing the game.  He has joined a team made up of French-speaking African kids,  some middle eastern kids, and a pinch of Hispanics. I am necessarily vague on the exact nationalities as he has only just got his feet wet with this team. These are kids who elect to get up on the first day of Spring Break to meet for 3 hours of "Pick-up" at 8:AM in the local Boys Club gym. They are kids who have shoveled the snow off the unused ice rink in the small city in which they live in order to play soccer on it. These are kids who arrive on foot to practice and don't necessarily have rides to far away games. They don't have expensive sweat suits or team sports bags.

Both sons really enjoyed playing soccer in England and France last summer when we visited their Grandmother in England. Yes, we had a soccer ball with us as we wended our way through the Louvre. And then out on the street, the boys would start kicking on any little patch of ground, often attracting other players out of the woodwork. The amazing thing was the lack of a language barrier. In Brighton, they had some sort of school group from Italy that they played with. Neither of my sons speaks Italian, but it didn't seem to matter. One of the Italians spoke English and basically, if you know the rules of the game, you can play across a language barrier.

I would be hard pressed to say that either son's approach is more or less serious about soccer. My older son cared a lot about attaining the highest level of play...he needed to be on teams where at least a few of the other players understood the game at the level he did and could play at that level with him. To this end, he succeeded by "making it" onto the competitive teams that he tried out for and then managing to establish himself on each one. He played on the most accomplished team in Albany 40 miles to the north of us. That team went to tournaments across the northeast, and most of the players went on to play college soccer. My second son, on the other hand, has had an uncomfortable relationship with the coaches and most of the teams he has played with. He has felt for a long time that he plays much better himself when he is involved in  a spontaneous game that is not "organized". He hasn't liked the petty politics on teams or the "yes sir" mentality of taking direction from coaches who may or may not have an international understanding of the game. There is still a tendency in the US to pattern some of the game strategy after that of American football. I know my family disdains the appellations "fullback" and "half back" as those are American football concepts, not native to the real "football" or "footie" as the second son calls it. As our family's stamina for driving to Albany waned, my second son played on a more suburban less accomplished team...a sort of off-shoot of the high school team where he never really felt appreciated as both a homeschooler and an independent thinker in general. So when a fellow homeschooler introduced him to this more local team right in our backyard, he was delighted. Not only does the coach have an active appreciation for the players as individuals, but the players wouldn't be there if it were not for their personal commitment to playing. You can sense this as they gather to practice in the little Boys Club gym. Local tournament tomorrow!

The Old Dog

So I have actually built a website. You can click here to actually view the real thing (and help increase it's prominence on the web): www.catskillriding.com
 It is for the small farm where my daughter works and learns horse-riding. The owner of the farm doesn't even have a computer, so we decided to bring her establishment into the 21st century ourselves. It provided a good learning ground for me, as there were no scary deadlines or even specific requirements, except that I use her already created logo. My daughter knew that she liked the color green.

That is a picture of the website above. So far, that is all it is, except that the image of the girl on the horse changes to 2 other images in a little slide show. The slide show aspect was way beyond my abilities at this point and required intervention from my 16 year old son, my web guru.

I vacillate between certainty that I can master this skill set, and anxiety that I can't. I am currently focused on learning as much as I can before above-mentioned son leaves home, because learning is so much easier with a guru in the house. Of course, when he learned, he did not have a guru. He struggled and pondered and drove himself. I watched, helpless to help. He got on forums and asked lots of stupid questions before he got to where he is now, the one on the forums answering the questions....I guess I will be able to post questions on the forums and hope that someone like him is on the other end waiting to answer them.

One immediate issue was that my energetic and bright son immediately rejected learning website design via Adobe Dreamweaver, which I suspect bridges the gap for an artist like myself who has a pretty big grasp of Photoshop, Illustrator and InDesign. I was encouraged to begin with Dreamweaver by another not-so-young web-designer who asserted that she had taught herself and that it was easy and that I could do it as I already had a grasp of the other Adobe programs. This was several years ago. I went home and told my then 13 year old son about it. He began teaching himself Dreamweaver but within about 2 weeks, had decided that is was a shortcut that didn't allow him enough control, and abandoned it forever. Leaving me to straggle along behind him as he learned HTML, CSS and javascript and all sorts of things that I don't even know what they are.

I  took his advice and continue to do a series of tutorials on learning code. These tutorials did not exist when he was teaching himself! It is a wonderful site called "codecademy". It is very well designed, with short simple lessons in how to use code to create visual information. The part that is not so well covered is how to translate those lessons to actually building a web-site. If my son were not here to coach me along, I am not sure I would have begun to understand the difference between using the remote server versus the local one. (I'm still negotiating this, but at least I understand the concept)

My years of working in design and advertising combined with formal art school training, have made me a very critical judge of what I see on the web. There are many websites that look like some one certainly knew how to code, but they do not know how to design or maybe worse, they do not care about what things look like. I imagine that this is getting rectified in art schools across the country; at least I hope so.

One big glitch in web design has been an inability to deal with type in a measured and specific way. With print design, the designer can fuss about how far apart the letters are from each other both vertically and horizontally. And I don't mean adding a whole line or letter space! I mean tiny iotas of space; tiny smidgeons, that can make a seemingly huge breathable beautiful amount of space that completely changes the way a given word appears.  So far, (and keep in mind that I am definitely a novice) it seems that tasteful web designers must resort to using the Adobe programs to create well-spaced type layouts and then use them in toto in their web design. I must remember to inquire about this of my son. The formulated question being: Can web designers use code to alter the spacing by tiny increments between letters? and lines of type?

My web involvement has made me curious about how art schools are handling web design. Are all design students still introduced to actual physical materials like plaka and illustration board? or can the whole art be learned electronically? I imagine that this is subject to opinion. Do art schools deal with detailed aspects of web design? like the user experience? or is that relegated to computer technology school? The more you know, the more questions there are to ask.  

Beyond Boxing: Bellows

 A friend clued me in that I would be missing something if I didn't see the George Bellows Show currently on display at the Metropolitan Museum Of Art in New York City. I had bypassed the exhibit a month earlier when tired images of boxing scenes materialized in my head as I read his name on the Met banners. With some friends, I opted for a photography show and Chinese garden paintings instead. .

Paddy Flanagan  (1908)

Luckily, I got a second chance. After I made my way past a wall-size representation of one of the famous boxing paintings (which I was informed by a museum staff member was printed and laminated to the wall rather than replicated by artistic house elves) I was immediately overwhelmed by the first room full of painterly paintings. I picked one that I can't remember now and tried to concentrate. It wasn't until I got to the second room where I was confronted by Paddy Flanagan's challenging stare that I began to relax, confident that I was in for a good experience. It was in that second room that the urban landscapes and crowds of people initiated me into the confident and frenetic brushwork of Bellows. In many paintings, such as "Rain on The River" (below) the economy and frenzy of the brushwork suggests a rapid desperation rather than studied application of more traditional painting techniques.

Rain On The River  (1908)

 Color is sometimes startling and purposefully belligerent. Trees and bushes and buildings and trains are sketched in paint with a crude fast accuracy. . This is drawing with paint! This is painting!

Churn and Break (1913)

I can't help thinking that the boxers are the least interesting aspect of his body of work. I do think that one or two of the famous ones are actually not that well drawn. This thought was confirmed in the last room of the show where his later work was more stylized and stiff, with a complete loss of the rushed brushwork that so defined the paintings right around 1908-1913 or so.  Of course, one can understand the difficulty inherent in catching boxers in the drama of their physical engagement with each other. Bellows would have been working from studies and may have lost some of the natural gesture and eloquence of the scene just through the difficulty of rendering the action. He didn't have the same problem with the ever-moving ocean however. Compared to four roiling ocean paintings  hung together in one corner of the show, the boxer paintings that I did glance at felt stiff and forced. Looking through images now, I see some variation in the boxer paintings, with one or two seeming to have more of the drama and eloquence of the painting experience still evident, while others seem  stifled in every way, from a composition too lined up with the perpendicularity of the boxing "ring" and then the action rendered past any excitement in line, color, and paint.

My House, Woodstock (1924)

Finally, a painting towards the end of the show made me laugh. I immediately  thought that it was the painting that I might shove in the closet if I had made it, realizing that it had got a little melodramatic with its color. It was wonderful in the context of the exhibit however, as it was a lurid example of the daring and "belligerent " color that I mentioned above. And sometimes, the mountains around Woodstock do look like they could lift off and fly away with the clouds.

Snakes and Education

the ball python bears its non-existant teeth

So, much to the consternation of most family and friends, we finally did allow our 13 year old son to obtain a Ball Python Snake. I mentioned in a previous post that this was part of a complex deal that enables us to stop attending a homeschool social group that was requiring a little too much of me as a teacher and not offering enough unfettered socializing to my kids. I realized that my 13 year old son was attending sessions with several other 13-14 year olds none of whom wanted to be there in "classes" but all of whom enjoyed spending time together. So why don't we just meet to see movies and ice skate and go hiking?

All of this aside, I have realized that the snake represents more than just a ticket out of the homeschooling group. It is also a live representation of the trust that I count on between my kids and myself. Let me be perfectly clear: I have no desire to own a snake, no desire to thaw frozen baby mice on the counter top in order to feed them to the snake, no desire to regularly handle and exercise the snake, no desire to set up appropriate lights and plants for the snake's habitat. But my son does. So, after he had been asking for several years whether he could have a pet of this kind, I finally caved in. The son in question has been diagnosed with a vision problem, and he is making great strides with the help of a vision therapist in improving his ability to focus and deal with the printed word. Within a month of snake ownership, he finally started up a blog, something I had been urging him to do for years as a method of both learning to write and sharing his visual and observational talents with the rest of the of us. For in spite of being diagnosed with a vision problem, he is one of the most observant people I know, spotting owls and birds of prey on telephone poles, noticing people's shoes, and identifying undercover police cars on the highway long before I even see a car.

The python represents my faith in my son's active curiosity and innate ability to learn. He spends literal hours on-line watching dumb movies, but also hours of you-tube videos about ball pythons and how to care for them. He has been very fortunate to have found a ball python "mentor", a young man who has kept pythons for many years (actually since he was about my son's age) and who is happy to give advice and share information. So while it may appear puzzling to traditionalists that my son is only reading at a primary school level at this point, and does not know his entire multiplication table, I am secure in the knowledge that he is definitely learning how to learn. By allowing him the snake, he is driven to learn everything he can about it.  In my experience, this is the essence of education.

As a teacher in a local community college, I get classrooms full of students who do not know how to learn. There are many who have learned how to get good grades, and they come to my class with nothing more than the desire to get a good grade. These students are most depressing. They pay attention, they begin the assignments doing exactly what I have showed them to do , and then they frenetically call me over to check that they are doing enough to get a good grade. I usually answer them by setting the bar a little higher than whatever they are doing. I want them to try to grasp that there might be a higher goal than the grade. There are other students who have spent so many years uninterested in whatever has been going on in every classroom that they have been in, that they approach my class almost like suicide bombers, careening through the skills with a slap dash effort and idle curiosity at the havoc they create both in their assignments and around them in the classroom. And then, there are always a few wonderful students who quietly explore the material that I am presenting, actually think about it, are curious enough to pursue other angles on it, make some connections between aspects of the material, and then pipe up in class about how they solved the given assignment in a new way. Those are the gratifying moments.

But I have digressed. I have gone a roundabout route to explain why I will not encourage my son to suffer through a boring learning experience. There is no point to it. People will actually argue that it is part of the discipline of life to be bored now and then, even that it is part of the discipline of going to school. I beg to differ. I think it encourages students to lower the bar on their own curiosity. They forget to learn how to do interesting things and think interesting thoughts. They lose track of what they are innately interested in and passionate about. How many teenagers have no idea what "they want to be when they grow up"? Might I suggest that this is because they have not been allowed to actually explore the world in a first hand way with time to follow their own passion when they were six and seven years old? They are left unsure whether they like to draw, or whether they like to think, or whether numbers are interesting.

Being bored is something that we can all do on our own. It happens. And it can even be  constructive. But I see no reason to drag roomfuls of kids together to bore them. That just seems stupid. So that is indirectly why we have a Ball Python snake. Because it is extremely, compellingly interesting to my 13 year old son.

"Vacation" Photo

6 inch long incision to insert a 4" long metal plate complete with several screws

Fortunately, the nurse had a smart phone and was kind enough to take a photo of my son's surgery. Otherwise, I would have no photos of my Florida "vacation" to post.
There have been a few other things that I wished I could have taken a photo of:
This morning on the way to the bank and the Walmart, there was a long row of at least 10 brightly colored newspaper vending machines...all in  a row at the edge of a sort of no man's land along the highway. A vague landscape of warehouses and palm trees stretched out beyond them.

Then, at the Walmart, I again felt the urge to snap a photo as I stood on the cash register line and looked over at the next line where an extremely overweight youngish man labored to pay for his groceries. I watched him reach laboriously for his wallet, and then slowly pull his money out. I noticed a long scar running along the entire left edge of his face and continuing on across the top of his forehead....and I couldn't help it, the word "frontal lobotomy" charged into my brain. He seemed slow in more than just a physical way and there was something veiled and red rimmed about his eyes....and then, he said something to the cashier and she called over an elderly gentleman whose main job seemed to be to charm the customers as they entered and exited the store. She informed him that the overweight man was not feeling well and needed to sit down. The charming man rolled over on a wheelie thing and offered it to a different customer first. The cashier redirected his attention to the heavy man, now leaning on her counter. The charming man rolled the wheelie thing right over to the heavy man who sat down, very heavily on it. (It did not flinch) The charming man talked gently to the heavy man, asking him conspiratorily, "What's up man?" "Not feel' in too good?" and so on. I left the store, sort of dazed and finding my attention far from making sure I had the right change.

Loving Their Job

I have had the opportunity through the roller coaster ride of parenting, to recently have met some very inspiring people in surprising locations.

Last week, as I was moving towards the checkout counter in Walmart with some groceries that are just so much cheaper there, a man attired in Walmart blue and wearing the authority of a manager or security official, stopped me to ask "if that was my son", pointing at the 13 year old boy next to me, who indeed, was my son. He had been spotted stealing a lighter.  We were ushered into a cramped security office with a wall of closed circuit camera screens in front of us. The man, whose name was Ray, sat my son down and explained in decided tones that he could contact the police and my son would be lumbered with a juvenile record, a $2,000 fine, and other unsavory results. He explained that he wasn't going to do that because this was the first time he had caught  my son shoplifting and he believed in giving people a second chance. He asked my son why he was stealing and why he was stealing a lighter.. My son shrugged with his tough guy demeanor in place, and answered "because it's cool". Ray than directed my son's attention to me, his mother and explained how I was doing everything I could to put groceries on the table and that my son needed to understand that when he stole from Walmart, it was ultimately something that could raise prices and make life more difficult for people like his mother, in addition to causing untold stress to her. He waxed poetic about how important mothers are, explaining that his own mother had raised 4 kids in the Bronx, and look how it had ultimately led to him being the manager of a huge Walmart like this. Eventually, he asked my son to leave the room and wait outside. He turned to me and said that he hoped he hadn't been too hard on my son, but he felt it was important to scare him so he never did this sort of thing again. I agreed and thanked him for his time with us. I really felt that he had been very intelligent and sensitive...somehow figuring out that it was probably the first time my son had attempted this, maybe through the sheer clumsiness of the attempt. I tried to find his full name later on a Walmart website to register my appreciation for him with the company, but to no avail.

I was struck by how well-matched Ray  is with his job. He is completely invested in carrying out the duties and responsibilities of manager of a huge retail store. I have experienced this sense of "calling" in relation to drawing, painting, parenting, and teaching. With the first three, I am still trying to figure out the financial remuneration aspect. I manage to teach part time and earn a small amount through the last calling. It is sometimes wrenching not to be able to avail oneself of one's calling(s) to earn money. I find myself in check-out lines watching the cashier to decide if she feels a calling for the position she is in, and wondering if maybe I could cultivate a feeling of calling for something useful like that; something with a pay check.

Then, having flown to Florida to assist my son with an emergency surgery on a broken ankle, I found myself with said son late at night at an IHOP which seemed to be the only restaurant still serving food on a Sunday night after 9PM in Sarasota. A slightly disheveled, but very personable middle-aged gentleman handed us menus and asked us what we would like to drink. He returned with drinks and asked why my son was on crutches; making sympathetic noises when my son explained that he'd gotten hurt playing soccer. We ordered, and the man assured my son  the he would make the pancake order "all you can eat" at no extra charge, and then he would tell the cook to make a lot of them. He kind of ran back and forth from the kitchen, full of vigor and enthusiasm for his job. We could hear him in the kitchen telling the cook to make the larger amount of pancakes. He brought the food, and checked in with us to make sure it was all to our liking. Again, I was struck by his enthusiasm for his job.

Does that waiter really love his job? or is he actually an actor or poet or would-be biologist who couldn't afford to go to college? or who went to college and couldn't get a job in his field?

What about the car rental lady who was so efficient at her job that she had me signing for $50 worth of additional insurance even though I think I am probably covered for it on my own car insurance policy? Was she born to be a car rental lady?

Marsden's blog!

So my son Marsden, has started a blog about RC cars. Check out what he does in his room for fun!
RC Report: Making Paper Mache For RC Course: First get a medium sized bowl. Making Paper Mache For RC Course Add two cups of flour, I use cheap flour. Then add 1 1/2 cup...

Something....

old......

First loaves of the new year

                              












                 Something new...... 

Something borrowed,

look at the beautiful package design of the frozen baby mice

 that the Ball Python eats....

...and something blue!